Is your neighbor being annoying? Too loud? Coveting another neighbor's wife? What do you do about it?
Just in time for election day, OZY published my piece on how early feminists in the U.S. got inspiration from women participating in the French Revolution. This story was inspired by an essay in Riot and Revelry in Early America, a book that explores the celebrations, parades, and traditions that helped create American culture, even if they have been forgotten.
Friday the 13th has enough scary stuff, so here are some cute photos of kids celebrating Halloween festivities!
This past April, I had the opportunity to attend the Brooklyn Folk Festival in New York City's most hipster borough. The event was co-founded and is produced by Eli Smith, the multi-instrumentalist string band musician of the Down Hill Strugglers. The music he booked was a curated experience of great folk and traditional bands from New York and across the country. His music is deeply rooted in the history of folk and traditional music in the United States, and he brings in the complexity of that history when he books other acts too. And through this type of music, he wants people to create, think, and resist.
You never know what you'll find in a box.
Last year, my friend Erik found a recording titled "Dr. Freeman's speech dedicating the Lee-Jackson Monument in Wyman Park" in a friend's record collection. The 33 1/3 LP was homemade, and the fact that it dealt with a seemingly out-of-place confederate statue in a city park about two miles from his house intrigued him.
He shared the recording with me, and I knew the story of the recording had to be told through audio. My radio-producer friend Nadia Ramlagan and I started researching the the speech, the event, the artist, the donation, and produced a radio piece that aired last week on the Marc Steiner Show.
The story explores the history of the statue, and how that history should be a part of the debate about what to do with the confederate monuments in Baltimore today.
Midwife Problems, and Solutions, Part 2
Like Hannah Karlen, Rosa Fineberg was alone when she had arrived in Baltimore in the 1890s. Fineberg had also been a midwife in her previous home, Russia, and planned to continued her work in the predominantly Jewish neighborhood of Jonestown.
Almost daily, she stepped out of her house carrying a large black leather bag. She walked by kosher meat markets and a butcher (who much to the dismay of the city health officials sometimes kept chickens in the basement), a kosher grocery store that advertised wares in Yiddish, and the Russische Shul where she attended temple. Every week, sometimes twice a week, and sometimes even twice in a single day she was called to deliver a baby. Her patients called her Tante Rosa and trusted her.
Fineberg's daughter Sarah thought her mother had a special, healing power, that was at times unexplainable. When Sarah went into labor in 1901, she called her mother to deliver the baby. And if her mother hadn't been a midwife, she probably would have called another midwife and not a doctor. A midwife’s delivery fee was five to ten dollars, much less than a hospital or private doctor would ask for, and in a time before medical schools were regulated, being a doctor didn't necessarily mean anything.
"The readers of Jordmodern might be interested in hearing something about their colleagues and our work across the Atlantic."
She had trained as a midwife in Sweden, and she must have already known that in the U.S., being a nurse was more respected than being a midwife. Karlen made her way to Elizabeth, New Jersey, a town just outside Newark. In the city directory, she also called herself a nurse.
She assessed her professional situation quickly, and in 1902 wrote to the editors of the journal of the Swedish Midwives Association, Jordmodern.
Not everything great can make it into an article, so I've included some more images and documents here on the blog!
Come in, the stacks are open.
Away from prying eyes, damaging light, and pilfering hands, the most special collections are kept in closed stacks. You need an appointment to view the objects, letters, and books that open a door to the past.
Here, pieces of material culture are examined in the light. The stacks are open. Read the stories behind objects and ephemera found in private collections, archives, and museums.
African American History
Banjo Collector's Gathering
"Freak Show" History
Native American History
New York City
South American History
World War II