What is an Early Banjo? An Exploration of an Instrument’s Relationship to Organology and Ethnomusicology
It presentation outlines the organological characteristics (how an instrument is made) of early banjos—pre-industrial gourd- and calabash-bodied instruments. It also analyzes whether organology alone can determine if an instrument is a banjo or to what extent we must consider an instrument’s provenance, usage, and cultural context. Using seven images of early banjos and the three confirmed extant instruments, we outline the organological characteristics shared across early banjos, and how those characteristics differ from known African instruments. We also discuss the known cultural context of the banjo, which was created by people of African descent in the Americas and used as accompaniment for ritual dance. Finally, we introduce a newly rediscovered instrument from a collection at the Musée des Confluences in Lyon, a watercolor at the British Museum of an instrument once held at the Leverian Museum, and a watercolor from St. Domingue, and we explore whether by using organological characteristics alone we can conclusively say that these three newly discovered sources can be called early banjos.
You can view more of the presentations from AMIS here.
This is part of Banya Obbligato, a series of blog posts relating to my book Well of Souls: Uncovering the Banjo’s Hidden History. While integrally related to Well of Souls, these posts are editorially and financially separate from the book (i.e., I’m researching, writing, and editing them myself and no one is paying me for it). So, if you want to financially support the blog or my writing and research you can do so here.
Come in, the stacks are open.
Away from prying eyes, damaging light, and pilfering hands, the most special collections are kept in closed stacks. You need an appointment to view the objects, letters, and books that open a door to the past.